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Two Trains Running, by August Wilson
Download Ebook Two Trains Running, by August Wilson
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Review
Winner of the New York Drama Critics Circle Best Play Award“Vivid and uplifting… pure poetry… remarkable!”—Time “A symphonic composition with a rich lode of humanity running through it.”—Los Angeles Times“His language is golden: rich in humor and poetry and redolent of a colorful vernacular.”—Wall Street Journal “Has an unassailable authenticity… a lot of life and a lot of humor… By the end, a small world has been utterly transformed.”—Variety “These characters are fully imagined—they live… reeling out stories about their past, their angers, their dreams.”—Washington Post “Wilson’s most adventurous and honest attempt to reveal the intimate nature of history… glorious storytelling… touching and often funny… a penetrating revelation of a world hidden from view.”—Frank Rich, The New York Times
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About the Author
August Wilson was a major American playwright whose work has been consistently acclaimed as among the finest of the American theater. His first play,Ma Rainey's Black Bottom, won the New York Drama Critics' Circle Award for best new play of 1984-85. His second play, Fences, won numerous awards for best play of the year, 1987, including the Tony Award, the New York Drama Critics' Circle Award, the Drama Desk Award, and the Pulitzer Prize. Joe Turner's Come and Gone, his third play, was voted best play of 1987-1988 by the New York Drama Critics' Circle. In 1990, Wilson was awarded his second Pulitzer Prize for The Piano Lesson. He died in 2005.
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Product details
Paperback: 128 pages
Publisher: Plume; Reprint edition (January 1, 1993)
Language: English
ISBN-10: 0452269296
ISBN-13: 978-0452269293
Product Dimensions:
5.2 x 0.3 x 8 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
25 customer reviews
Amazon Best Sellers Rank:
#96,683 in Books (See Top 100 in Books)
_Two Trains Running_ is the August Wilson "Century Series" play depicting the African-American experience in the 1960s. In a 1969 Pittsburgh diner, 6 men and a woman share vignettes about their lives and the "American Dream." Memphis, the owner of the diner, is about to have the city seize the restaurant under "immenent domain." Sterling, (who will play a significant role in Radio Golf) has just been released from prison and is enamored with the Black Power movement. West, the community's mortitian and Wolf, a number runner, are the wealthiest men in the Hill District. As these characters relate their lives, Wilson shows how the American Dream has been promised, and for so many, been denied.Memphis is frustrated and angry: he was run off his farm in Mississippi (with an allusion to The Piano Lesson (The August Wilson Century Cycle)), and now faces being run off of his business in Pittsburgh. Hambone, a homless (and possibly mentally ill) customer has similarly been cheated. Reflecting on the American Dream, Halloway says, "People kill me talking about (African-Americans) is lazy. (African-Americans) is the most hardworking people in the world. Worked three hundered years for free. And didn't take no lunch hour. Now all of a sudden (African-Americans) is lazy. Don't know how to work. All of a sudden when they got to pay (African-Americans), ain't no work for him to do."Wilson, however, asks us to consider whether the "American Dream" is merely about making money - both Wolf and West have made their money by exploiting and taking advantage of others, seeking to pull themselves up at the expense of their community. Sterling pays a visit to Mama Esther at 1839 Wylie (an allusion to Gem of the Ocean, where Mama Esther will "make you right") and is indeed made right, forgoing money in favor of love. This is reiterated by Holloway who tells the audience, "That's all you got. You got love and you got death. Death will find you ... it's up to you to find love. That's where most people fall down at. Death got room for everybody. Love pick and choose. ... most people won't admit that. ... Love got a price to it. Everybody don't want to pay. They put it on credit. Time it come due they got it on credit somewhere else."I was profoundly moved by _Two Trains Running_ - a reference to the fact that in life, there are always choices, always two trains running in different directions. Wilson, as with his other plays, poses profound questions about who we are as a nation, about the African-American experience, and that experience in the broader context of being an American. Here, however, he asks us to reconsider what choices we've made and what our values as individuals are. As if his other work hadn't already made him an American classic, _Two Trains Running_ certainly would. As with his other work, if you have an opportunity to see it performed, do not miss it.
August Wilson proved that genius is never complicated, always simple and clear, and hugely enjoyable. His characters are always alive and their speech poetic. The ending could not be better. He was a poet writing plays. I loved the man. What a shame he did not love to write more! Great loss!
I like the flow of the characters and the storyline.
I was going to Ashland to see this play and wanted to read it first. It's not my "cup of tea". The after-play discussion was fabulous at decoding the nuances of this play.
This is a well-written drama. I love Wilson's effortless use of colorful colloquial ebonics.
I really liked it.
I have read 3 of his plays and I'm excited about his works.
Great play; may have opportunity to direct next year.
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