Free Ebook Anniversaries (Boxed Set): From a Year in the Life of Gesine Cresspahl (New York Review Books Classics), by Damion Searls
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Review
“[An] oceanic, nearly 1,700-page masterpiece….[it] aims to be comprehensive on every topic it takes up—among them, village life in postwar Germany, housing segregation on the Upper West Side of Manhattan, media coverage of Vietnam and the lead up to the Prague Spring…It requires a hard chair, a fresh pen and your full attention—for attention is its great subject…Searls’s superb translation inscribes Johnson’s restlessness and probing into word choice and the structures of the sentences themselves, which quiver with the anxiety to get things right, to see the world as it is.” —Parul Sehgal, The New York Times "Juxtaposing the tumult of 60s America with everyday life in Nazi Germany, Anniversaries chronicles 20th-century turmoil through the eyes of Gesine Cresspahl, who leaves postwar Mönchengladbach to raise her young daughter, Marie, on New York’s Upper West Side...Against the big-picture backdrop, we get a fine-grained treatment of motherhood and migration...It feels thrillingly spontaneous, almost out of control. You can certainly see why it wasn’t all translated before now. But here it is: a novel of a year, perhaps the novel of the year." —Anthony Cummins, The Observer “Uwe Johnson’s Anniversaries is a book to live in: two volumes and more than 1,700 pages of roomy universe, robustly imagined and richly populated. Its streets are long, and its landmarks are varied. Sometimes the weather’s sultry, and sometimes the pipes clang in the cold. But Johnson’s rhythm is always patient, always mesmerizingly meticulous…Johnson’s observations are indeed possessed of a peculiar, sprawling omniscience. His opus belongs in the canon of encyclopedic, modernist German-language tomes like Berlin Alexanderplatz and The Man Without Qualities, and it allows itself divagations on everything from the prevalence of the color yellow in the American visual landscape to the subtleties of Hungarian politics…His writing is inhuman, godlike in its immensity.” —Becca Rothfeld, Bookforum "Johnson’s book effectively gives the reader forty or fifty years of world history and a single year of Gesine’s life, every day from August 21st, 1967 to August, the 20th, 1968. Its scope is startling, from the social organization of a small German town, to Gesine’s work in a New York bank, to her father’s work as a master carpenter, running a business in Richmond, in London.” —Tom Sutcliffe, Saturday Review, BBC Radio 4 “I am absolutely stunned and slightly mortified that I’ve never heard of this book before…I think it’s extraordinary, I think it is a great late-modern masterpiece…How do you map Germany in 1933 with Vietnam? But, he does it, he does it in the first paragraph. It should be clunky or absurd or just slightly embarrassing, but he does it brilliantly. It contains the whole world….I was completely gripped, and there are none of the usual narrative handholds, there’s no romantic relationship, you’re never quite certain why she’s on her own, who the father of the child is—all of those props are not available to us, and still it’s absolutely extraordinary.” —Kathryn Hughes, Saturday Review, BBC Radio 4 “European modernists used the novel as a means of mapping metropolitan experience. From James Joyce’s immortalizing of ‘dear, dirty Dublin’ in Ulysses, to the grimy urban paean of Alfred Döblin’s Berlin Alexanderplatz, to Robert Musil’s elegy for imperial Vienna in The Man Without Qualities, the city was no longer merely decorative scrim but a collaborative possibility, the ideal vessel for consciousness. Uwe Johnson’s Anniversaries: From a Year in the Life of Gesine Cresspahl, a sprawling novel about an East German émigré and her 10-year-old daughter as they navigate life on New York’s Upper West Side, is a natural heir to this tradition…” —Dustin Illingworth, The Atlantic “This book is truly a masterpiece. . . . It is a record, and an enduring one for our whole post-Hitler era. You have actually made this past tangible and—perhaps a much harder task—you have made it convincing. Now I know how it was and is over there—know it down to the tips of my toes. . . . This seems to be the only appropriate way to speak and think: about great-grandmother and grandmother and mother and child, in the interplay of generations and across two continents.” —Hannah Arendt, February 7, 1972, Letter to Uwe Johnson "Johnson's novel is now regarded as a hugely significant work of world literature, and it is indeed huge—some 1,800 pages in the forthcoming two-volume publication from New York Review Books, the first complete publication in English....Anniversaries: From a Year in the Life of Gesine Cresspahl lives up to the hype. In my reading so far, it's carefully observed, utterly propulsive and resonant with meaning about a year I remember well, and I can't wait to finish it, though I concede that it will take some time. The bonus for me is local—Gesine lived 14 blocks south of where I live now—but Johnson's writing invites everyone into its riches." —Barbara Hoffert, Library Journal “Uwe Johnson is the most incorruptible writer I’ve ever read, always searching for what we so frivolously call the truth. In Anniversaries he approaches this fundamental thing, the truth, from different sides, across different continents, across time. Page after page, we are shown how we need to see clearly, without prejudice, to think properly. Page after page, thinking with Johnson offers us the greatest of pleasures.” —Jenny Erpenbeck “A gripping, complex, highly significant work in which the author displays not only his mastery as a storyteller but also his humor, irony, and descriptive power.” —The New York Times “Johnson has Balzac’s passion for the telling detail, the revealing exactitude, here a passion that is impelled by the imagination of love. So intensely are the figures imagined—Gesine and her daughter, Gesine’s desolated mother, and all the tribe of Baltic relatives who variously endure and resist the Nazi scourge—that the ballast of Manhattan fact is needed to keep the book on the page, the life in focus, to keep the agony from getting out of drawing.” —Richard Howard
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About the Author
Uwe Johnson (1934–1984) grew up in the small town of Anklam in the German state of Mecklenburg-Vorpommern. At the end of World War II, his father, who had joined the Nazi Party in 1940, disappeared into a Soviet camp; he was declared dead in 1948. Johnson and his mother remained in Communist East Germany until his mother left for the West in 1956, after which Johnson was barred from regular employment. In 1959, shortly before the publication of his first novel, Speculations About Jakob, in West Germany, he emigrated to West Berlin by streetcar, leaving the East behind for good. Other novels, The Third Book About Achim, An Absence, and Two Views, followed in quick succession. A member of the legendary Gruppe 47, Johnson lived from 1966 until 1968 with his wife and daughter in New York, compiling a high-school anthology of postwar German literature. On Tuesday, April 18, 1967, at 5:30 p.m., as he later recounted the story, he saw Gesine Cresspahl, a character from his earlier works, walking on the south side of Forty-Second Street from Fifth to Sixth Avenue alongside Bryant Park; he asked what she was doing in New York and eventually convinced her to let him write his next novel about a year in her life. Anniversaries was published in four installments—in 1970, 1971, 1973, and 1983—and was quickly recognized in Germany as one of the great novels of the century. In 1974, Johnson left Germany for the isolation of Sheerness-on-Sea, England, where he struggled through health and personal problems to finish his magnum opus. He died at age forty-nine, shortly after it was published. Damion Searls grew up on Riverside Drive in New York City, three blocks away from Gesine Cresspahl’s apartment. He is the author of three books and has translated more than thirty, including six for NYRB Classics.
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Product details
Series: New York Review Books Classics
Paperback: 1720 pages
Publisher: NYRB Classics; Translation edition (October 16, 2018)
Language: English
ISBN-10: 9781681372037
ISBN-13: 978-1681372037
ASIN: 1681372037
Product Dimensions:
5.9 x 3.6 x 8.8 inches
Shipping Weight: 4.9 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#76,517 in Books (See Top 100 in Books)
One of the great parts of being a heavy reader over the last few years has been the emergence of so many of the untranslated, or otherwise obscure, 'great giant novels' of 20th century world literature into the English language. Life and Fate, also from NYRB. Bottom's Dream as the other reviewer mentioned (along with the rest of Arno Schmidt's catalogue). Miklos Szentkuthy's Prae and St. Orpheus's Breviary. Adam Buenosayres. The list goes on.Anniversaries in many ways stands above and apart from these others in its intelligibility and in the simple, subtle poetry it brings into the events of everyday life, written with beautiful, refined prose. Even moreso, the book is intimately connected to the United States, our history and culture. It is written like a diary, covering the socially turbulent year from late '67 to late '68. The writer, a female Jewish immigrant to the U.S. from Germany, habitually reads the newspapers. Each entry recounts some of the day's news and goes on with anecdotes from her own life, from the distant past to the present day. The biography of the woman gradually takes shape as the novel progresses. Other than that it is not a novel with a clear narrative direction (at least as far as I've read so far).I am still only a fraction of the way through the1800-page book, but due to the lack of reviews here, felt compelled to write something. It is being distributed as a box containing two volumes, each one rather too large to carry around (I wish they'd printed it in four volumes, as it was originally printed). Unlike almost the entire NYRB classics catalogue, Anniversaries lacks a supplemental forward or afterward. I imagine production costs were high enough as it was, though this is one 'classic' where some introductory material would have been welcome to give some background to the text (though it turned out wikipedia was just fine for answering my questions).I'll back up what another reviewer has boldly stated, that this is the publishing event of the year. It's a big book, but not one that demands to be read exclusively or all at once.
One has, from quite early on, been skeptical of the variations on 'There is nothing that can possibly be added to fiction, viz. the possibility of literature.' The trouble with going against the grain is that (unless it is making one money or is tied to an element of inevitable creative prostitution) its lack of economic reason is by societal proxy tied to an obscure individualism taken for a general epistemological nihilism. This dogmatic slumber is accelerated by a planet addicted to shattering its attention and, further, with a weaponized technologically psychopathic plethora of illiterate 'entertainment.' The concept of insight thereby takes on a revolutionary role. This itself is not a recognized revolution, for it speaks to interiority rather than wearing genital hats in a meaningless parade. It is such a climate that four stages of wisdom may unfold for one; these four stages may occur to one and one only, or to a metaphysical 'One and Many.' They are:1. Hegel: 'To be independent of public opinion is the first formal condition to achieving anything great.'2. Bakhtin: Early on in The Dialogic Imagination, 'The novel is the only genre that is still young. It cannot be spoken of in the past tense.'3. 2016's publication of Bottom's Dream, by Arno Schmidt.4. 2018's publication of Anniversaries, Uwe Johnson.It is not so much about changing the world, for anyone who has read Herodotus has long realized the mutiny of ideological infantilism in such a widespread disease of mind. Nothing has changed since the cave save gadgetry. Man's issues and trends are still exactly the same as they ever were. Thus, one needn't 'look to the past'; rather, one need look alone at all, in pursuit of wisdom shouting in the streets.Although few will buy a copy of this book, those that do will undoubtedly be changed for the better in the realm of creative possibility concerning Roman Ingarden's cognition of the literary work of art. Of these few, the few who spend time immersed in Johnson and interrelated research will find themselves within a treasure chest of the aforementioned conceptual insight.In the unfathomable scheme of thing, what could be better than living a life wrestling between not the good and the bad, but the good and the great? Pick up thy cross, thou heathen, and follow!
Bought this for my husband’s Christmas gift, and ho loves it!
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